There’s also now the ability to turn off the effects and sequencer sections with a single button press for each section, which is handy to focus on sound design.Īrturia have also introduced a new filter type modelled after the MS-20 this is a great way to get a bit more raggedness around the edges of your sound. Other V4 updates included the new Play page, which combines everything needed into a more streamlined UI. The first version only had the Analog and Wavetable oscillator sections, while the Sample / Granular and Harmonic (additive synth) came in later updates. It offers users the ability to upload their own waveforms, which was not possible on many instruments that employed wavetables! One of the most unique things about Pigments when it was first introduced was its unique and accessible take on wavetable synthesis. V4 introduces a number of quality of life updates but also adds some things that users have been requesting from the start. While Pigments was already an incredibly deep synthesiser in its initial released form, Arturia have continued to build and expand on its functionality and sound-shaping abilities. But the real beauty of Pigments is how these features are so cleverly integrated. There are also three Random Generators, a suite of built-in effects, and a very powerful built-in sequencer. These engines are combined with two multimode filters, three envelopes and three LFOs, as well as three Function Generators that can act as either additional envelopes or LFOs.
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